Staring at my shelves of CDs and vinyl (recently culled – It was vicious and I do feel a bit reborn, thanks for asking) I was wondering if the shiny new world of always available, always on, always there and almost always free music that has been unleashed in recent times via illegal (file sharing) and legal (Spotify) means has fundamentally changed they way we get “into” music. I was looking at certain CDs and picked out a couple that I hadn’t heard in a while (probably a number of years) and got an urge to give them a spin (the albums, incidentally, were REM’s Reveal and New Order’s Technique).
Nothing strange in this, but it set of a chain of thought that reminded me of a term that I haven’t heard of for a while – “it’s a grower”. This term was given to albums that might take a bit of time to get under your skin and become an essential part of your collection. I think this new landscape has changed this concept forever.
I guess it is all down to a couple of things – what we invest in music (i.e. our money) and the mindset to repeat play something. The former has certainly reduced for the vast majority of people as access to new music has exploded – no longer do you need to wait for a track that your mate has raved about to advantageously appear on the radio or (naughty) be given to you on a cassette or by other means. You can pretty much find anything on the web for free now – Spotify and MySpace has made this the way ahead. But this mass availability may have eroded the latter of my points. In the old days, if you spent the equivalent of around £20 on an album/CD, you probably gave it a while to impress you. This is where tracks/albums/artists that were “growers” had a chance. If the album/CD in question really didn’t do it for you, it was off to Record and Tape Exchange to try to get some cash back for it.
But what of the new Warholesque world? Will time-poor people with almost immediate access to millions of songs give something a chance? I’m not so sure. I think that they will probably move on to the next thing. Maybe it fits with the modern world – I, for one, love the new landscape – I was never really an albums person and used to make loads of mix tapes. Today the best way of getting “in someone’s head” is more than likely to be included in an advertising campaign, be on MTV/radio loads and even aligned to a brand. Maybe it is a good thing; I personally have loads of albums that have maybe two or three good tracks and seven fillers – people going forward are just not going to put up with this. Will it push quality up? maybe, maybe not.
But the cream will always rise – it just might not grow in future.